Category Archives: Model

Make Models: LSQ London

Client Linseed Assets
Dimensions 390mm(l) x 270mm(w) x 375mm(h)
Time to make 2 days
Materials Plastic tubes, copper colour paint
Model makers / designers Andrew Taylor, Dan Murray, Paul Miles and Mindseye

The project

The brief for the building in our LSQ London redevelopment was to create a new high-spec office and retail offer that captured the appeal of today’s West End while preserving the elegance and character of the original 1930s stone façade.

The office component of the project was aimed at re-defining this landmark building in Leicester Square as a desirable office destination with the reception, lobbies and office floorplate fit-out taking inspiration from the original features and fittings.

The retained façade allowed for an exceptionally generous ceiling height in the office entrance lobby which offered a unique opportunity to celebrate that height, with a sculptural lighting feature that could draw attention upward and mark the office entrance in a subtle, yet memorable way. The design of the feature references the cultural aspects of the West End in cinema, theatre and hotel lobby design.

The model

It can be hard to communicate lighting effects via sketches and renders, and it wasn’t until we made a working model of the installation that the wider design team started to understand its potential and the qualities of the light and materials. The model showed aspects that were otherwise difficult to simulate, like the warm molten-like glow of the metal catching adjacent lights, and the animation of the undulating form when the observer’s perspective shifts.

The model was at 1:1 scale based on an initial system of fibre optic splays from light projectors, each strand of which was to be threaded through an individual metal tube. The model replicates this with 5mm-diameter plastic tubes, sprayed with a metallic copper colour paint, at 30mm spacings. In total, the model used 27.5m of tubes. Fibre optics were considered as they allow the light source to be distant from where the output is observed, bringing maintenance benefits. The model represents about 1.2% of the overall area of the final installation.

The model allowed the client and design team to make informed decisions about the final scale, form and finish of the installation. Once Mindseye, a specialist lighting designer, joined the project, the system changed to LED with larger tubes with a longer, more uniform drop and increased spacing between the tubes.

The outcome

The final installation comprised 1,820 bronze anodised aluminium rods. It reads as an undulating canopy of delicate lights suspended across the ceiling void, above which the varying lengths of richly bronze-coloured tubes glimmer in shadow, exaggerating perspective and further accentuating the height of the space.

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Make Models: An urban rail station

Client Confidential
Scale 1:100
Dimensions 300mm(l) x 50mm(w) x 200mm(h)
Time to make 3 days
Materials White ColorFabb PLA filament, clear ColorFabb XT filament
Model makers Paul Miles and modelshop work experience student Stephen Ward

Ready for transport

We were excited to take part recently in a competition to design an urban rail station in a global city. Whilst we unfortunately didn’t end up winning, we’d still love to share a bit about the model with you.

This 1:100 sectional model was constructed to show how the station’s two raised levels – the walkway and train platform – are positioned over a stretch of busy road. It also demonstrates how planting can be used along the perimeter of both levels, as well as the ground plane. The model, which was completed in three days, had to be small enough for hand luggage and robust enough to survive travelling to the other side of the world, where we presented it to our client.

A great sum of parts

To make the model travel-proof, we decided to 3D-print it, as 3D-printed items tend to be sturdier than acrylic parts. Rather than print it as a single piece though, we split the main body into about 20 smaller components, which meant we could orientate each item to be printed in a direction that would allow for the best surface finish.

We produced the parts overnight on our ten Ultimaker 2 Extended+ printers, using white ColorFabb PLA filament for the main body. The tessellated, gently undulating roof was printed with clear ColorFabb XT filament. The generally high ‘tolerance’, or ability to fit with other components, of 3D-printed parts means we were able to quickly assemble all of the components with minimal finishing needed.

Final touches

Meanwhile, the balustrades and platform doors were laser-cut to achieve a finer level of detail. To give a sense of scale and animation, we printed cars and a train on our Formlabs Form 2 SLA 3D resin printer and sprayed them silver. Finally, we used a mix of different-sized white trees from the London-based model-making shop 4D Modelshop to illustrate the planting possibilities.

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Make Models: FC Barcelona

Client FC Barcelona
Scale 1:200
Dimensions 700mm(l) x 500mm(w) x 300mm(h)
Time to make 1 week
Materials Clear filament and white selective laser sintering (SLS)
Model makers Paul Miles and Petre Craciun from Make, and Digits2Widgets

The project
In 2016 Make came second in a hotly contested international competition to design the Nou Palau Blaugrana stadium for FC Barcelona. In partnership with Baena Casamor Arquitectes BCQ and MANICA Architecture, we designed a 12,500-seat sports and entertainment destination as part of a wider masterplan.

The model
The model was built as part of our pitch for the project. Split down the middle, the sectional model comprises a white 3D-printed SLS element to show the exterior, and a clear 3D-printed filament section to show the orthogonal stadium, seating and interior.

The floorplates were laser-cut, and the tiered seating was 3D-printed with clear filament to show the viewer what’s going on inside the stadium.

Changeable plates show the different uses of the space in the proposed arena, from hosting basketball and hockey matches to putting on rock concerts.

Removable plate

Each level of the model interlocks around the columns and cores, bringing stability to the structure, and the model sits on a black acrylic base.

Eyes on the prize
We’re immensely proud to have delivered a world-class venue design for a world-class club. The stadium sets new industry standards for arenas around the world; it’s a compact, flexible, functional and highly efficient design that fits within the wider scheme and is rooted in the history of FC Barcelona.

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Make Models: Swindon Museum and Art Gallery

Client Swindon Museum and Art Gallery Trust
Scale 1:100
Dimensions 750mm(l) x 200mm(w) x 550mm(h)
Time to make 1 week
Materials Laser-cut plywood and acrylic, 3D printed items
Model makers Paul Miles and Jonny Prevc

We go behind the scenes of the Make modelshop to find out how the team created one of their most impressive works to date, the 1:100 scale model of our new design for the Swindon Museum and Art Gallery.

SMAG model

The project
In November 2016 Make won a competition to design a new home for the Swindon Museum and Art Gallery (SMAG) in the heart of the town’s burgeoning cultural quarter, next to the Wyvern Theatre. The new building will showcase Swindon’s wide-ranging collection of artefacts, from prehistoric fossils to Roman pottery, and one of the UK’s most important collections of modern and contemporary British art. As a venue, it will engage the public with event spaces, learning centres, and galleries flexible enough to host the museum’s unique permanent collection and visiting exhibitions alike. The public realm around the building will provide a civic square and routes linking to the rest of the town centre and the Old Town.

The model
As part of the competition entry, we created a 1:100 scale model of our proposed design in a natural palette. The 3DS MAX renders were worked up in Rhino CAD modelling software, and the design was split into a series of 2D components for laser-cutting and 3D components for printing, all to be done in-house.

The 2D elements included the floorplates, core and fins, for which we used plywood, and the glazing, which we did with acrylic. These formed the structure of the model and were designed to fit together like a jigsaw, so the floorplates interlocked with the core, and the fins with the floorplates. Plywood was the material of choice as it allowed us to make the fine perforations defining the fins, and was easy to bend into the curved shape of the building’s envelope. The plinth the model sits on is a hollow box, also made from plywood, so despite its size, it’s relatively light and portable!

We 3D-printed a series of miniature display cases and artefacts that reflect SMAG’s real collection, including mannequins in costumes and a collection of typewriters, to bring the model to life. An absolute must was including a tiny replica of Apsley the gharial (a type of crocodile), the museum’s star attraction (pictured). These elements were spray-painted in copper tones to create focal points that draw people’s attention inside the model, and secured using PVA glue. We also 3D-printed all sets of stairs, the rooftop beehives, and people and trees to animate the scene and illustrate landscaping potential, both in and around the building.

One of the final touches was laser-engraving a reimagined Swindon Museum and Gallery logo, which our Graphics team designed, onto the main entrance wall.

Model on tour
The model is now with the Swindon Museum and Art Gallery Trust, where it will hopefully help them to secure the remaining funding they need to realise this new landmark for the town. Before settling there, in March 2017 the model took centre stage at the Osborne Samuel gallery in Mayfair, alongside artwork from the museum’s collection, to help raise awareness of the project.

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