Tag Archives: Workplace

Make Models: LSQ London

Client Linseed Assets
Dimensions 390mm(l) x 270mm(w) x 375mm(h)
Time to make 2 days
Materials Plastic tubes, copper colour paint
Model makers / designers Andrew Taylor, Dan Murray, Paul Miles and Mindseye

The project

The brief for the building in our LSQ London redevelopment was to create a new high-spec office and retail offer that captured the appeal of today’s West End while preserving the elegance and character of the original 1930s stone façade.

The office component of the project was aimed at re-defining this landmark building in Leicester Square as a desirable office destination with the reception, lobbies and office floorplate fit-out taking inspiration from the original features and fittings.

The retained façade allowed for an exceptionally generous ceiling height in the office entrance lobby which offered a unique opportunity to celebrate that height, with a sculptural lighting feature that could draw attention upward and mark the office entrance in a subtle, yet memorable way. The design of the feature references the cultural aspects of the West End in cinema, theatre and hotel lobby design.

The model

It can be hard to communicate lighting effects via sketches and renders, and it wasn’t until we made a working model of the installation that the wider design team started to understand its potential and the qualities of the light and materials. The model showed aspects that were otherwise difficult to simulate, like the warm molten-like glow of the metal catching adjacent lights, and the animation of the undulating form when the observer’s perspective shifts.

The model was at 1:1 scale based on an initial system of fibre optic splays from light projectors, each strand of which was to be threaded through an individual metal tube. The model replicates this with 5mm-diameter plastic tubes, sprayed with a metallic copper colour paint, at 30mm spacings. In total, the model used 27.5m of tubes. Fibre optics were considered as they allow the light source to be distant from where the output is observed, bringing maintenance benefits. The model represents about 1.2% of the overall area of the final installation.

The model allowed the client and design team to make informed decisions about the final scale, form and finish of the installation. Once Mindseye, a specialist lighting designer, joined the project, the system changed to LED with larger tubes with a longer, more uniform drop and increased spacing between the tubes.

The outcome

The final installation comprised 1,820 bronze anodised aluminium rods. It reads as an undulating canopy of delicate lights suspended across the ceiling void, above which the varying lengths of richly bronze-coloured tubes glimmer in shadow, exaggerating perspective and further accentuating the height of the space.




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Lessons on future office design from Asia Pacific

By Ken Shuttleworth

I have been travelling through Asia Pacific again this summer, visiting our Hong Kong and Sydney studios and attending a whirlwind of meetings and tours across Hong Kong, China, Singapore and Australia.

It was, as always, fascinating and exciting. Some parts of this region have enormous vision and passion when it comes to their built environment, and you can see why their creative industries are flourishing and why the area attracts such a hotbed of talent.

That thought stayed with me as I spoke at a recent Cushman & Wakefield Insight breakfast in Sydney. It was great to be there – a genuine highlight of the trip. I discussed what we had learned at the British Council for Offices annual conference earlier this year and compared this with the market in Australia. It seems to me there is an interesting synergy between what I gleaned from the BCO and what I saw on my travels – that young talent and creativity are driving the development of the market and attracting more of the same. A cycle of creative demand, resolution and growth.

It’s clear that the ideals and trends of the millennial demographic – blurring the lines between work and home, finding community in new places, protecting our future – are infiltrating the way we design our office spaces, even for the most corporate of firms. The focus is now on flexibility and adaptability, on sustainability, on using technology to enable new methods of working, on community and amenities in the workplace.

London leads the world in many areas of workplace design, but when it comes to ‘agile working’ – a phrase that came up multiple times over the BCO conference and has become a buzzword in UK development circles – Australia is streets ahead of the UK. They put it down to being more ‘direct communicators’ (you can say that again!), but they also employ far greater levels of intelligence monitoring across their buildings.

Back in the day, agile working was known as ‘hot desking’, but technology has evolved (and so too the moniker) to enable this to be far more effective, with building systems in place that can track who is working, understand what they need and allocate space accordingly. This reduces desk numbers, makes the space more efficient and provides flexibility for future growth. Our 5 Broadgate development for UBS is the largest such scheme in London – agile working was a key factor in allowing the company to consolidate its London offices into one. But Australia is stealing a march on this. It’s a trend we should watch. There is a wealth of young, creative talent in that region of the world, and we should be looking and learning.

This idea of observation brings me to my last point: that of Brexit. Yes, all eyes of the world are on us, virtually everyone I met with queried or mentioned Brexit. It seems people are sceptical as to whether withdrawing from the EU is such a good idea. In this ‘local global’ world we live in, everyone has a stake or an investment in the UK, and the uncertainty around Brexit negotiations is having a concerning ripple effect.

In years to come we’ll be looking to our young, creative talents to help us navigate our place in the world. Let’s hope we leave them with the infrastructure to do it – both physically and metaphorically.

Originally posted on EG 14.09.2017

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